Ing. Tomáš Jeníček

The 2021 Image Similarity Challenge introduced a dataset to serve as a benchmark to evaluate image copy detection methods. There were 200 participants to the competition. This paper presents a quantitative and qualitative analysis of the top submissions. It appears that the most difficult image transformations involve either severe image crops or overlaying onto unrelated images, combined with local pixel perturbations. The key algorithmic elements in the winning submissions are: training on strong augmentations, self-supervised learning, score normalization, explicit overlay detection, and global descriptor matching followed by pairwise image comparison.

We propose an efficient method to learn deep local descriptors for instance-level recognition. The training only requires examples of positive and negative image pairs and is performed as metric learning of sum-pooled global image descriptors. At inference, the local descriptors are provided by the activations of internal components of the network. We demonstrate why such an approach learns local descriptors that work well for image similarity estimation with classical efficient match kernel methods. The experimental validation studies the trade-off between performance and memory requirements of the state-of-the-art image search approach based on match kernels. Compared to existing local descriptors, the proposed ones perform better in two instance-level recognition tasks and keep memory requirements lower. We experimentally show that global descriptors are not effective enough at large scale and that local descriptors are essential. We achieve state-of-the-art performance, in some cases even with a backbone network as small as ResNet18.

We address the discovery of composition transfer in artworks based on their visual content. Automated analysis of large art collections, which are growing as a result of art digitization among museums and galleries, is an important tool for art history and assists cultural heritage preservation. Modern image retrieval systems offer good performance on visually similar artworks, but fail in the cases of more abstract composition transfer. The proposed approach links artworks through a pose similarity of human figures depicted in images. Human figures are the subject of a large fraction of visual art from middle ages to modernity and their distinctive poses were often a source of inspiration among artists. The method consists of two steps – fast pose matching and robust spatial verification. We experimentally show that explicit human pose matching is superior to standard content-based image retrieval methods on a manually annotated art composition transfer dataset.

Image retrieval under varying illumination conditions, such as day and night images, is addressed by image preprocessing, both hand-crafted and learned. Prior to extracting image descriptors by a convolutional neural network, images are photometrically normalised in order to reduce the descriptor sensitivity to illumination changes. We propose a learnable normalisation based on the U-Net architecture, which is trained on a combination of single-camera multi-exposure images and a newly constructed collection of similar views of landmarks during day and night. We experimentally show that both hand-crafted normalisation based on local histogram equalisation and the learnable normalisation outperform standard approaches in varying illumination conditions, while staying on par with the state-of-the-art methods on daylight illumination benchmarks, such as Oxford or Paris datasets.